Giving Artists a Mic For A Voice They Never Had…

Read about some of the famous artist label feuds in the past decades…

Prince vs. Warner Bros Records

The Rise of Prince…


At the age of 18, Prince signed his first record deal with Warner Bros. Records, an exciting moment for the young artist who was eager to share his music with the world. His debut album For You was released in 1978, with Prince handling mostly all of the production, writing, and performance of the album. By the early 1980s, Prince’s talent had fully emerged, culminating in his breakthrough album 1999 and the massive success of Purple Rain in 1984.

Corporate Constraints: The Struggle Begins


However, as his success grew, so did his frustrations with Warner Bros. The label’s restrictive control over his music began to feel suffocating. Warner owned the master recordings of his albums, which gave them significant control over his creative output. Prince wanted more freedom to release music at his own pace, while the label preferred a more measured, commercial approach. The conflict escalated as Prince wanted to release new material frequently, but Warner insisted on spacing out releases to avoid market saturation.

The Symbol and ‘Slave’ Protest


In the early 1990s, Prince began to take drastic steps to express his frustration. He famously changed his name to an unpronounceable symbol in 1993, a move that symbolized his battle for creative independence. Around the same time, he started appearing in public with the word “slave” written on his face, underscoring his belief that Warner Bros. was exploiting his work.

Breaking Free: From Warner Bros


In an effort to fulfill his contractual obligations, Prince rushed to release several albums, including Come and The Black Album, both of which were drawn from his extensive vault of unreleased material. His frustration with the label reached its peak, and he eventually terminated his contract with Warner in 1996 after delivering the required number of albums.

Once free from Warner, Prince gained greater control over his music, particularly through his independent label NPG Records. His post-Warner strategy allowed him to release albums on his own terms, which was a major shift in his career and a powerful statement for other artists


Frank Ocean vs Def Jam Records

Frank Finds his Voice with ‘Odd Future


Frank Ocean, like many other talented artists, had a passion for music but lacked the resources to make it big in the industry. In 2009, he joined the music group “Odd Future, which helped introduce him to the hip-hop community. Through this connection, Frank produced many early classics, such as “Analog 2,” a duet with Tyler the Creator, and “Widow,” a track that delves into his struggles of losing himself while vocalizing in the booth.

New Beginnings and New Frustrations…


Later that year, Frank met Grammy-winning songwriter and producer Ricky Stewart. Stewart, a key figure behind massive hits like Beyoncé’s “Single Ladies,” Rihanna’s “Umbrella,” and Justin Bieber’s “Baby,” played a pivotal role in furthering Frank’s career. Working with Stewart gave Frank writing credits on major songs by artists like Brandy, John Legend, and Beyoncé. Around this time, Frank signed a record deal with Def Jam, a major label under Universal Music Group, which ultimately became a source of frustration for him.

After signing with Def Jam, Frank quickly voiced his dissatisfaction with the label, citing a lack of genuine connection. He stated, Outside of the contract and the paperwork, there was no relationship,” marking a significant departure from the more personal environment he was used to. Stewart would later admit that the deal was a mistake, as Def Jam failed to support Frank’s unique talents the way they had envisioned.

Frank Clawing to Freedom


By 2011, Frank decided to free himself from the constraints of the label. Drawing on creative techniques he learned from his time with Odd Future, he released an independent mixtape titled Nostalgia Ultra. The mixtape became an underground hit, gaining traction without any promotion or support from Def Jam. Seeing Frank’s potential, the label released two singles from the mixtape—”Novacane” and “Swim Good.” With renewed backing from Def Jam, Frank demanded a million-dollar advance and full creative control over his debut album.

Granted these demands, Frank wrote all the songs for Channel Orange in just three weeks. The album debuted at number two on the Billboard charts and went on to win a Grammy. However, after the success of Channel Orange, Frank teased new music for years but did not release anything substantial until August 1, 2016.

Frank Clawing to Freedom


At 3 AM on August 1st, Frank launched a live stream on his website, showing him woodworking for 140 hours. The stream featured instrumental tracks from what would later become his Endless album. The culmination of this event led to the release of Endless on Apple Music. As Frank later revealed, this live stream was part of a seven-year battle to break free from his Def Jam contract.

Frank used Endless as a decoy album to fulfill his contractual obligations while retaining the rights to his real project, Blonde, which he released independently with Apple Music. The financial outcome was striking: while Endless earned just $157,000, Blonde brought in over $2 million, solidifying Frank Ocean’s control over his art and career.


Dr. Dre vs Death Row Records

Ruthless Records and Dr. Dre


Death Row Records, founded by Dr. Dre and Suge Knight, was one of the most dominant labels of the 1990s. However, before Dr. Dre’s success with Death Row, his financial disputes with Ruthless Records—the label that released Straight Outta Compton—highlighted the financial exploitation of artists by record labels.

Dr. Dre’s Early Successes: Setting the Bar High…

N.W.A.’s album Straight Outta Compton, released in 1988, and was a massive commercial success, but the members of the group, including Dr. Dre, were not fairly compensated. Most of the profits went to the label Ruthless Records, co-owned by Eazy-E and their manager Jerry Heller.

Heller’s business dealings became a point of contention as the group realized they were receiving far less than what their work was generating in revenue, especially in relation to the album’s record sales, which made it the first rap album to be certified platinum. Despite selling millions of records and sparking a new era of politically charged hip-hop, N.W.A. saw little of the financial benefits, fueling deep frustration among the group members.

Departing Ruthless Records


Dr. Dre and fellow N.W.A. member The D.O.C. eventually sought to escape the exploitative practices of Ruthless Records. They teamed up with Suge Knight, who allegedly used strong-arm tactics to force Eazy-E to release Dre and DOC from their contract. This led to the formation of Death Row Records, where Dre would go on to produce massively successful albums, including The Chronic, while being properly financially compensated for his work.

Another Label, Another Problem…


Once Dre moved his talents to Death Row, he found more creative freedom, but faced new challenges in the form of Suge Knight demanding tighter control over the label. In the end, the financial exploitation Dre experienced at Ruthless Records was one of the key motivations behind his desire for more autonomy, but conflicts with Knight would later lead to Dre’s departure from Death Row as well.